Use and Usage Of Collection
Scientists must register and consent to copyright and privacy rules before applying this collection.
Because of the condition of this collection, users will access the microfilm surrogate for Series I-IV. Authorization to see the papers that are original be submitted to Special Collections and University Archives prior to your see. Original artwork in Series VIII are delicate consequently they are consulted only by visit.
Duplication and Copyright Information
Photocopies or surrogates that are digital be supplied relative to Special Collections and University Archives replication policy.
Copyright resides aided by the creators regarding the papers or their heirs unless otherwise specified. This is the researcher’s duty to secure authorization to write materials through the copyright holder that is appropriate.
Inquiries about authorization to write the ongoing works of Djuna Barnes ought to be directed into the Authors League Fund, 155 liquid Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail: staff@authorsleaguefund.org.
Archival materials may include materials with painful and sensitive or private information that is protected under federal and/or state right to privacy legislation or other laws. Although we make a great faith work to spot and remove such materials, some can be missed during our processing. In case a researcher discovers delicate information that is personal in a collection, please carry it into the attention regarding the reading space staff.
102.00 Linear Feet
Extra Description
Scope and Information of Collection
Noted journalist and avant-garde writer Djuna Barnes came to be in Cornwall-on-Hudson, nyc, on June 12, 1892, the 2nd kid and just child of Wald and Elizabeth Chappell Barnes. Barnes learned art during the Pratt Institute (1912-1913) and also at the Art scholar’s League of the latest York (1915-1916).
In 1913, she began being employed as a freelance journalist and illustrator for the Brooklyn day-to-day Eagle and was quickly composing and illustrating features and interviews for the ny Morning Telegraph , this new York Press , while the nyc Sun , among other magazines. During this time period, she became mixed up in bohemian creative milieu of Greenwich Village. She published poetry ( The Book of Repulsive Women , posted in 1915) and lots of plays that are short”Three From the planet earth,”? “Kurzy of the water,” and “an triangle that is irish), that have been created by the Provincetown Players in 1919 and 1920.
In 1921, Barnes travelled to European countries, then invested almost all of the next two decades in England and France. She composed features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , a regular line for Theatre Guild Magazine , and poems and stories for literary publications such as Dial , change , and Transatlantic Review . Her book-length writings in this period contain an accumulation of her brief tales, performs, and poems, a novel (1923) , that was revised and republished in 1929 as every night on the list of Horses , the Ladies that is satirical Almanack1928), as well as 2 novels, Ryder (1928) and Nightwood (1936). Regarded by many critics as her masterpiece, Nightwood had been impacted by Barnes’s event with Thelma Wood. The novel ended up being written underneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.
In October 1939, Barnes came back to the usa, and, in September 1940, she relocated into a condo at 5 Patchin invest Greenwich Village, where she res >The Antiphon (1958), that was manufactured in Sweden in 1961 in a variation co-translated by us’ assistant Dag Hammarskjold. Another assortment of her brief tales, Spillway , had been posted in 1962, the entire year by which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally penned much poetry, though little ended up being posted. Her last work had been the verse menagerie Creatures within an Alphabet (1982). Barnes died in new york on 18, 1982, at the age of ninety june.
Arrangement
Custodial History and Acquisition Information
Existence and Location of Copies
Associated Material
Materials associated with the Papers of Djuna Barnes held Special Collections consist of the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester web Page Collection, the Papers of Andrew Field, and also the Papers of Frances McCullough. an uniqure recording of barnes reading through The Antiphon , produced by Chester web web web Page in April 1971and acquired with all the McCullough documents, can be obtained at http://sharestream.lib.umd.edu/ssdcms/i.do?u=f36bb9c39448490. Crucial communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers during the University of Delaware Library, Newark, Delaware.
The Rare Books Department has curatorial duty for the part of Barnes’s individual collection which was obtained along with her papers. The Barnes’s collection contains customwritings over 1100 games and it is available through the University of Maryland Libraries’ online catalog. Please see the description in Series 9: Library to find out more.
Processing Information
The Barnes papers have been processed numerous times in largely piecemeal fashion since its acquisition by the University of Maryland. Within the springtime of 1996, most of the collection except the photographs and art underwent major reprocessing. This effort included developing a series that is new of and private documents and merging the 2 alphabetical runs of communication. Materials previously when you look at the “Typescripts, web web page proofs, scripts,” “Publications,” and “Appendix B: Laminated Papers” had been brought together as a single “Writings” series. Other work included integrating the unprocessed addenda of this collection (previously “Appendix A”) into current series and combining the “Clippings,” “Pamphlets,” and far associated with “Miscellaneous” series into an individual “Printed Matter” series. In Fall 1996, a series that is new “Serial Publications,” was made. “Book Catalogs” formerly positioned beneath the “Printed Matter” series were relocated into “Serial magazines.”
In 1998, the rest of unprocessed products were incorporated into the collection. Additionally, the art and photograph appendices had been converted to show and renumbered and rearranged as necessary. Area VI, Cards, and Section VII, Printing Blocks, were put into the creative art show. The Barnes pen and ink drawings donated in 1997 had been additionally included to the creative art show. In November 2000, products obtained from the dealer had been incorporated into the collection.
In 2001, preparations to microfilm the first four series of the collection began, including some reprocessing july. Significant time had been dedicated to dating materials that are previously undated reorganizing the materials appropriately. In Series II, Correspondence, there was clearly a file that is general each page for the alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).
The arrangement of Series IV, Printed question, had been discarded as of this time; “On Barnes” became “About Barnes”; “On Barnes’s Writings” happens to be en en en titled “About Barnes’s Writings”; and “On people” and “Other” had been combined to create “Collected by Barnes.” Things within six associated with eight “miscellaneous” folders had been grouped together under headings, such as for instance guide reviews and wellness, and arranged alphabetically under “Collected by Barnes.” In addition, English translations of articles had been reunited using their language originals.
An effort had been built to bring some purchase to Barnes’s poetry. Whenever possible, materials within each folder had been put in chronological purchase, and fragments positioned in “Poems, Fragments” which were maybe maybe maybe not poetry-related had been relocated to “Notes, Miscellaneous fragments.” Many significantly, the poems in “Early Poems” had been sectioned off into specific folder by title and incorporated into the schema that is alphabetical of show.